A modern version of Sense and Sensibility for the YA set. I read it in one sitting. It’s pretty banal, but that is about the only way to update that story for today.
There were some story changes. The father didn’t die until page 90 or so. Edward and Robert were Blake and Piers and they weren’t brothers. That sort of thing.
I did like that Elinor’s cat was named Manderley. You know, the house from Rebecca. I thought that was cute. The mother was horrific.
I do think it stuck pretty closely to the point of the original, though. Wait, no. That’s not quite right. I think the tone was as close as possible. Sense and Sensibility was about the virtues of circumspection in the love arena. Marianne is punished for being impetuous and Romantic and passionate. She is only rewarded when she begins to value Elinor’s composure and refusal to admit too much. This book didn’t make that point. Elinor is made out as a gunshy, close-mouthed hag, who thinks so highly of her own intelligence, she can’t let anybody finish a sentence. She thinks she knows what the guy is thinking, so she doesn’t let him say it. If I was the guy, I’d seriously reconsider the advantages of entangling myself with this harpy.
That’s it. That’s why I don’t really care about this one. None of the characters are likeable. I don’t really like drama queens, so Marianne (Abby) and her mother are both irritating, and Elinor overestimates herself. The little sister is OK, but she’s a minor character, so she’s not really fleshed out.
Now, aren’t you glad I’ve worked that out?